Remi Chauveau Notes
Carlès & Demarquet transform wood into sea‑born relics that blur design, archaeology, and Mediterranean myth.
Entertainment 🎯

🌊 Carlès & Demarquet: The French Design Duo Inspired by the Sea

@mothefrenchgirl

♬ bellyache - Billie Eilish

🌊 Ewê: A Tide of Memory and Living Nature

Just as Carlès & Demarquet channel the sea to imagine sun‑bleached relics from a forgotten Mediterranean world, “Ewê” by Fabiano do Nascimento, Airto Moreira, and Kana Shimanuki echoes that same dialogue between nature, ancestry, and the unseen forces that shape our surroundings. The song’s reverence for sacred leaves and the spiritual intelligence of the natural world mirrors the duo’s approach to wood — treating it not as material, but as a living archive. Ewê becomes a sonic counterpart to their sculptures: a ritual of connection, where organic forms, ancestral memory, and elemental rhythms converge to blur the boundary between what is crafted and what is discovered.

🎶 🌊🌅🪵🏺✨🌬️🌞🌾🌊🌀🗿🌟 🔊 Ewê - Fabiano do Nascimento, Airto Moreira, Kana Shimanuki



“Every object carries a tide within it”.

For Carlès & Demarquet, the sea is not a theme — it is a memory.”

🌀 Origins of a Dual Vision

Before their work became synonymous with sun‑drenched relics and Mediterranean dreamscapes, Julien Carlès and Mathieu Demarquet followed parallel paths through architecture, fine arts, and traditional woodworking. Carlès studied architecture and spatial design, developing an early fascination with structures shaped by erosion and time, while Demarquet trained in fine arts and applied sculpture, grounding his practice in material sensitivity and artisanal technique. Both were raised near the French coastline, where the rhythms of tides, erosion, and maritime ruins quietly shaped their visual language long before they ever collaborated. Their shared fascination with objects marked by time and water eventually converged into a studio practice that treats design as both archaeology and fiction.

🏺 Exhibitions Across Imagined Shores

Over the years, the duo has exhibited in cities such as Paris, Marseille, Arles, Lisbon, and Tokyo, often in hybrid spaces that blur the line between gallery and research lab. Their work has appeared in collectible design fairs and independent exhibitions, and they have collaborated with ceramicists, marine researchers, and sound artists to create immersive environments where wood, light, and the sound of waves interact. Their pieces are collected by architects, filmmakers, and contemporary art foundations who see in their work not just furniture, but narrative objects — fragments of a world that feels both ancient and imagined.

🌅 Origins Shaped by Shorelines

Carlès & Demarquet approach design as if they are excavating forgotten worlds, letting the sea guide both form and imagination. Their work emerges from a shared fascination with coastlines, erosion, and the quiet poetry of objects shaped by water and time. Each sculpture feels like a fragment of a story half‑buried in sand, waiting to be rediscovered.

🌊 Design as Archaeology

Rather than treating wood as a neutral material, the duo approaches it like an artifact. They carve, hollow, and sculpt with the sensitivity of archaeologists uncovering relics from a lost Mediterranean civilization. Their pieces appear sun‑bleached, weather‑softened, and touched by salt — as if they were lifted directly from the seabed.

🌬️ Nature, Ritual, and Fictional Civilizations

Carlès & Demarquet blur the boundary between natural history and fantasy, crafting forms that feel both organic and otherworldly. Their silhouettes echo driftwood, coral, ancient amphorae, and maritime ruins, yet each object carries a dreamlike twist. The result is a body of work that feels suspended between myth and materiality. Their process is slow, tactile, and deeply intuitive. They treat each piece of wood as a living archive, responding to its grain, weight, and imperfections. Through carving and polishing, they reveal textures reminiscent of tides, currents, and underwater landscapes — transforming raw material into sculptural poetry. What ultimately defines Carlès & Demarquet is their ability to create objects that feel like evidence of a world that never existed. Their furniture and sculptures are not merely decorative; they are portals. Each piece invites viewers to imagine a sun‑drenched Mediterranean culture shaped by waves, wind, and myth — a civilization preserved not in stone, but in wood.


👉 To discover more about their work, you can explore their world at www.ateliercarlesdemarquet.com — a digital shoreline where their creations unfold.

#Sea 🌊 #Wood 🪵 #Craft ✨ #Horizon 🌅 #Design 🎨

Carlès & Demarquet — Sculpting Mediterranean Memories

The Sunlight Blueprint
Carlès & Demarquet often begin a new piece by studying how light moves across driftwood at different times of day, using these shifting shadows as a silent blueprint for the sculpture’s final form. It’s an intuitive ritual they never publicly emphasize, but it’s the hidden reason their work feels as if it carries the rhythm of tides — each object shaped not only by hand, but by the choreography of sunlight itself.

Trending Now

Latest Post