Remi Chauveau Notes
UNESCO’s 2025 recognition of Haiti’s compas (konpa) celebrates its origins, global reach, and enduring role as a joyful cultural treasure of resilience and identity.
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UN recognizes compas, a Haitian music and dance genre that has marked generations and brought joy

10 December 2025
@reillygault Replying to @kb2fyyeee33 Always trying to improve and learn more! 🇭🇹 Tout glwa pou Bondye! 🙏🏻🙌🏻 - Yon Sel Bondye - @harmonikhmk - #kompa #konpa #haitianmusic #kompasolo #konpasolo #synthsolo #arturia @arturia_official #fyp #fypシ #haitiantiktok #haiti ♬ Yon Sel Bondye - Harmonik

From Tradition to Tomorrow: Pour La Vie, Konpa Dreams for the Future

“Pour La Vie” by ZAMA & Vitya, released in 2024, carries the spirit of lasting love and youthful devotion, echoing the rhythms of cultural continuity. Its emergence beautifully coincides with the UN’s recognition of compas, the Haitian music and dance genre that has marked generations and brought joy across the world. In this shared moment, ZAMA stands as a luminous voice of the new generation — weaving pop sensibilities with konpa’s heartbeat, embodying how heritage and innovation can melt together into a civic song of resilience and connection.

🎶 🌐💃🏆❤️🎤🇭🇹✨🌱🤝📜🎺🌟🇫🇷🕊️🔥🌍 🔊 Pour La Vie by ZAMA & Vitya



In December 2025, UNESCO inscribed compas (konpa) on its Intangible Cultural Heritage list, celebrating a genre that has carried Haiti’s heartbeat for seven decades.

Born in Port‑au‑Prince in the 1950s, compas is more than music — it is a dance, a cultural identity, and a source of resilience for Haitians at home and abroad. The recognition comes at a time when Haiti faces political instability and violence, offering a powerful reminder of the nation’s creativity and spirit.

📜 Origins and Evolution

Compas was created in 1955 by Nemours Jean‑Baptiste, a Haitian saxophonist who blended merengue influences with syncopated drumming and Haitian percussion. Its name, meaning “beat” or “measure,” reflects the steady rhythm that defines the genre. Over the decades, compas evolved with electric guitars, keyboards, and brass, spreading from Haiti to the Caribbean, North America, and Europe. It became both a dance style and a musical language, transcending social classes and embedding itself in festive and ritual life.

🎤 Icons, Bands, and Songs

From Tabou Combo and Shleu‑Shleu in the 1970s to Carimi and Magnum Band in later decades, compas bands have carried the genre across continents. Legendary performers like Coupé Cloué infused humor and storytelling, while songs such as “Serenade des Melomanes” became cultural touchstones. Today, compas thrives in diaspora hubs like Miami, Paris, and Montreal, with dance studios teaching its sensual steps and TikTok spreading its rhythms to new generations.

🌍 Global Reach 🎺💃

Compas is not confined to Haiti. It resonates in Cuba, the Dominican Republic, France, Kenya, and beyond, thanks to cultural exchanges and diaspora communities. Musicians like Sony Laventure teach compas internationally, while Haitian youth remix it with pop and Afrobeat. Its adaptability makes it both traditional and modern, a rhythm that can be heard in buses, bars, and global festivals. As one Haitian cultural minister put it, compas is “the collective memory of the nation”.

🏆 UNESCO’s Cultural Embrace

UNESCO praised compas for its ability to bring people together across ages, genders, and backgrounds, and for themes of love, freedom, peace, and resistance. In a country beset by hardship, compas remains a therapy, a joy, and a symbol of resilience. By recognizing compas, the UN affirms Haiti’s cultural contribution to the world, alongside earlier recognitions of Haitian joumou soup and cassava. For Haitians, this is not just a listing — it is a victory for culture, identity, and hope.

#CompasHeritage 🎶 #UNESCOJoy 🌍 #HaitianRhythm 💃 #WorldTreasure 🏆 #KonpaForever 🔥

UNESCO recognition

🎷 “Diplomacy in Rhythm: Compas as Haiti’s Hidden Ambassador”
When UNESCO inscribed compas as Intangible Cultural Heritage in 2025, the dossier submitted by Haiti didn’t just highlight Nemours Jean‑Baptiste’s 1955 creation — it also emphasized how compas became a diplomatic tool. In the 1960s and 70s, Haitian governments quietly used compas bands like Tabou Combo and Shleu‑Shleu as cultural ambassadors, sending them abroad to soften Haiti’s image during turbulent political times. This “musical diplomacy” was one of the arguments that convinced UNESCO that compas wasn’t only entertainment, but a vehicle of identity, resilience, and international connection.

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