Boris Bastide is a French film critic and cinema editor at Le Monde, where he has become one of the publication’s sharpest voices on contemporary filmmaking. Known for his precise, attentive writing, he approaches cinema as both an art form and a cultural barometer, tracing how films reflect shifting social, political, and aesthetic landscapes. His criticism blends intellectual rigor with an accessible, human perspective, making his work resonate with cinephiles and casual readers alike.

Before joining Le Monde, Bastide built his reputation across several cultural outlets, developing a critical style rooted in curiosity, narrative sensitivity, and a deep respect for filmmakers’ craft. His reporting often extends beyond reviews, encompassing festival coverage, filmmaker interviews, and essays that situate cinema within broader artistic and societal conversations. This multidimensional approach has positioned him as a trusted guide through the evolving terrain of global cinema.

At Le Monde, Bastide continues to refine a body of work that champions emerging voices while engaging critically with established auteurs. Whether writing from Cannes, analyzing a new wave of French directors, or unpacking the politics of a blockbuster, he brings clarity, nuance, and a distinctive editorial voice. His work reflects a belief in cinema’s power to illuminate the world—and in criticism’s role to deepen our understanding of it.